About The Correspondent

Stories about how The Correspondent got started, how we are funded, and what makes our journalism distinctive

12 stories since 30 September 2019 · Follow with RSS

Your third Member Quarterly: how you’re part of our journalism

Your second Member Quarterly: here’s how you helped us improve The Correspondent

‘The empire sends back’ – and other headlines we vetoed in 2019

Welcome to the Member Quarterly

Unbreaking news: Today, we launch The Correspondent!

Illustration of a floating see-trough rectangle on a blue background with clouds, with a layer on top that depict borders, which is half peeled off. On top of it are human-like figures.

Our problems don’t stop at the border. So why should journalism?

Illustration of an upwards graph before a light blue background. There are sad faces drawn into the graph. Little human-like figures stand around it.

Why The Correspondent is founded on the idea of progress

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Why we want our journalists to be open about their worldview

Illustration of a cluster of rectangular cubes hanging in front of a light blue background. Together the cubes show a round shape and clouds. Little human-like figures sit and stand upon the cubes.

Here’s how our correspondents make their journalism more collaborative

Illustration of pinkish glasses against a light-blue background. The glass is replaced by tunnels that bend various ways ending with glass. Small human-like figures are standing on the tunnels.

The problem with real news, and what we can do about it

Illustration human-like figures on and around a scale with on one side four small balls and on the other side eight large balls. The scale is perfectly balanced in front of a blue background with clouds surrounding it.

Why we let you decide your own membership fee at The Correspondent

Illustration of six open boxes in various sizes filled with pinkish balls against a light-blue background. Some boxes are full, others only have a few balls or non. Small human-like figures sit on and stand next to the boxes.

A peek into The Correspondent’s launch budget